Stereotypes Has The Role Of Peter Dinklage Progressed

Austin Oller Professor XXX Class Abreviation and Number 17 November 2014 Stereotypes: Has the Role of Peter Dinklage Progressed? In 1952 theorist Frantz Fanon wrote The Fact of Blackness, an article that illustrations the struggles of being an African- American in then modern-day America. Fanon suggested African Americans live with a prescribed stereotype of â€Å"blackness†. Because of the color of their skin, African- Americans have an image created for them. Due to this prescription, many individuals are unable to create their own persona. Fanon states that a black person is the slave of his or her own image. Today, there are many other stereotypes being placed on people just like blackness was placed on the African American community.†¦show more content†¦The most common type, called Achondroplasia is the cause of about 70 percent of all dwarfism. It makes your arms and legs shorter than that of your torso. Achondroplasia affects about 1 in 15,000 to 1 in 40,000 live births. To understand Fanon one must look back to the beginning of the cinema. Stereotypes were prevalent in movies since the beginning of the cinema. One of the first movies to show a stereotypes was the 1915 silent film Birth of a Nation. In the D.W. Griffith film the African American plays the stereotypical slave of the south after the civil war. In the article Hollywood, Black Animation, and the Problem of Representation, author Jennifer L. Barker shares a statement about her voice about black stereotypes: â€Å"Since the early twentieth century, critics, filmmakers, and actors such as W.E.B. Du Bois, Clarence Muse, Sidney Poitier, Spike Lee, and Henry Louis Gates Jr. have argued for various approaches to representing African Americans in film, and it is unlikely that this conversation will become simpler or more unified in the near future. In fact, conversations are bound to become more complex as the nature of racial identity in America has become more heterogeneous in the last few decades†. The image of â€Å"Blackness† was very prevalent in the classical Hollywood Period. Often depicted as mammies, coons or uncle toms during this period. In Boogle’s book Toms, Coons, Mulattoes, Mammies, and Bucks he writes